Develop / Scan Service - 16mm / Super 16 (100 ft rolls)
Develop / scan services for your 16mm film. Please read all the info on this page before purchasing.
- Place your order through this product page. Be sure to select the number (quantity) of rolls you will send and the resolution of your scans
- Download, read completely and fill out your FPP FILM FORM (CLICK HERE) – Include the completed form in with your order (our shipping address is on form)
- Number your rolls (if more than 1). Note that if you are ordering more than one, all the film must be mailed at the same time.
- Include your THUMB DRIVE (Minimum 128gb - If you do not have one, purchase one HERE)
Mail your film to us - address on the FILM FORM you download. (Trackable, insured mail is recommended).
Turnaround on movie film developing / scan is 4-6 week from when we receive your film. We do not send an email until your film is ready at which time we will email you with scan notes.
We can scan standard 16mm, Super 16 or Ultra 16. 100 ft minimum per roll. By default we scan the entire frame including sprockets. If you'd like your film matted a certain way (i.e. pillar boxed or letter boxed), let us know.
We accept 100 ft rolls only, below formats only:
- Kodak Vision3 Color Negative Films
- Kodak EXR, Vision and Vison2 film
- Kodak Ektachrome 100D Color
- Kodak Plus-X BW
- Kodak Double-X
- Kodak Tri-X BW
- Kodak 7363 High Contrast
- Orwo BW Films
- FPP Cine 16 Double Perf Film
- FPP Sonic 16mm Films
Please allow the full 4-8 weeks to pass before contacting the Film Photography Project regarding your order.
The Fine Print - When you submit your film assets to Film Photography Project (FPP) for scanning or handling of any kind you agree to the fullest extent of the law to indemnify, defend, and hold harmless FPP, its officers, directors, employees, agents, licensors, and suppliers from and against all claims, losses, liabilities and damages of any kind, including, without limitation, attorneys’ fees, arising from or relating in any way to your use of our services, or any violation of these Terms, any law, or any rights of any third party, including when the active or passive negligence of FPP is alleged or proven.
Shooter Error – it’s a fact that user error and / or malfunctioning vintage cameras can result in under, overexposed, blank film, jiggly lines due to a bad film gate/improper loading/malfunctioning camera. In the event we are unable to retrieve an image or correct an issue after scanning, we will provide you with feedback at the time we deliver your file.
The Lab - We would like you to be aware that we partner with one or more reputable outside labs for the processing portion of your package. For this portion of services, we only offer replacement of raw materials in case of transit loss or lab damage. If you are working on an important project, we recommend Production Insurance.
Sh*t Happens - Your media is very important to you, and we take every precaution to ensure the safety of your film while they are at our facility. However, sometimes the unpredictable happens during shipping to and from our facility, or while a service is being provided. Our commitment to you, is that if any item is lost or damaged by us while at our facility, we will replace it with an item of equivalent amount. To ensure you are protected above and beyond our replacement of the raw materials, we strongly suggest you acquire insurance. To ensure you are protected during the shipping of the items, please insure your packages. We can not replace the value of items that are lost in transit.
Your movie film is important to us! Contact Michael Raso if you have any questions - Michael@FilmPhotographyProject.com