Develop / Scan Service - Super 8 Film (50 ft rolls)
Developing / Scanning service for your Super 8 exposed film.
Follow the steps below and read all the info on this page before ordering.
This service is for new film only. If you have vintage exposed Super 8 Ektachrome 160 (Type A or G) order HERE or vintage Kodachrome order HERE.
Please make sure your film is fully exposed before sending. Turn around is approximately 4-6 weeks from the time we receive your film.
- Place your order through this product page. Be sure to select the number (quantity) of rolls you will send and the resolution of your scans
- Download, read completely and fill out your FPP FILM FORM (CLICK HERE) – send the completed form in with your order. (our address is on this form)
- Number your rolls (if more than 1). Note that if you are ordering more than one (or other service), all your film must be mailed at the same time.
- Include your THUMB DRIVE (Min 128gb) . If you do not have one, please purchase one HERE.
Mail your film to us - address on the FILM FORM you download. (Trackable, insured mail is recommended).
Turnaround on movie film developing / scan is 4-6 week from when we receive your film. When completed you will receive an email with notes. We return your developed film along with your scan on your USB thumb drive.
We accept 50 ft rolls:
- Super 8 Kodak Vison 50D, 200T, 500T Color
- Super 8 Kodak Ektachrome 100D Color
- Super 8 Agfachrome 200D Color
- Super 8 Kodak Tri-X BW Reversal
- Super 8 Kodak Plus-X Reversal
Scanning Aspect Ratio -By default we will scan your film 16x9 and include the entire frame (including sprocket holes). If you would like a different crop, please make notes on the FILM FORM that you submit with your film.
above: In this video, Michael Raso discusses scan resolution and aspect ratio.
The Fine Print - Orders will take 4-6 weeks from the time we receive your film. When you submit your film assets to Film Photography Project (FPP) for scanning or handling of any kind you agree to the fullest extent of the law to indemnify, defend, and hold harmless FPP, its officers, directors, employees, agents, licensors, and suppliers from and against all claims, losses, liabilities and damages of any kind, including, without limitation, attorneys’ fees, arising from or relating in any way to your use of our services, or any violation of these Terms, any law, or any rights of any third party, including when the active or passive negligence of FPP is alleged or proven.
Shooter Error – it’s a fact that user error and / or malfunctioning vintage cameras can result in under, overexposed, blank film, jiggly lines due to a bad film gate/improper loading/malfunctioning camera. In the event we are unable to retrieve an image or correct an issue after scanning, we will provide you with feedback at the time we deliver your file.
The Lab - We would like you to be aware that we partner with one or more reputable outside labs for the processing portion of your package. For this portion of services, we only offer replacement of raw materials in case of transit loss or lab damage. If you are working on an important project, we recommend Production Insurance.
Sh*t Happens - Your media is very important to you, and we take every precaution to ensure the safety of your film while they are at our facility. However, sometimes the unpredictable happens during shipping to and from our facility, or while a service is being provided. Our commitment to you, is that if any item is lost or damaged by us while at our facility, we will replace it with an item of equivalent amount. To ensure you are protected above and beyond our replacement of the raw materials, we strongly suggest you acquire insurance. To ensure you are protected during the shipping of the items, please insure your packages. We can not replace the value of items that are lost in transit.
Your movie film is important to us! Contact Michael Raso if you have any questions - Michael@FilmPhotographyProject.com